Power vocabulary – choosing the right word

At times, choosing the right word can look like a daunting task. Especially if we consider the sheer amount of words that even a measly dictionary can provide us with. Yet there’s a way we can improve our ability to write in a more effective and engaging manner. And it’s not based on rules or long lists. Rather, it’s based on the natural curiosity for the basic principles of writing that any self-respecting writer generally possesses. Choosing the right word is a matter of economy First of all, we should look at novels like extended and coherent chunks of the…

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Story development — the importance of a character’s name

Except for parents who are about to name their child, and therefore consider names incredibly important, in general we take first names for granted. You know what I mean. Joe is the mechanic. Edward the lawyer. Elise the soccer mum. Brenda the speech therapist. Names are just convenient labels to refer to people. Only occasionally names make us pause and think about what they might mean to their owners. And when this happens is usually because of some horrible name someone has been given. However, according to some psychologists names have a measurable effect on people. For example, names immediately…

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Character tags – how to make your characters more memorable

I must admit it from the very start. Unless the physical description has some bearing on the story, I don’t particularly care about such things like the color of a character’s eyes, her complexion, her height or whatever else. I don’t care if the heroine has a shock of curly black hair or her head is instead as hairless as the ass of a two year infant. As a result, also when I write I tend to keep descriptions as short and functional as possible to the story I’m telling. I’m not alone in this. Les Edgerton, the author of Hooked,…

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Sculpt your novel into existence the way you like it, but make sure you put a piece of your heart inside it

Some heart touching stories are so well written that, as readers, we can’t but to feel grateful for having the opportunity to read them. Indeed, there has been times when I’ve finished reading a book and remained there, staring into the distance at nothing in particular, just savoring that particular mix of joy, sadness, and wonder that for me is the natural hallmark of a great read. One day, when I was in my teens, I let a friend of mine read a story I had written, and by the end of it she was crying. For me that episode…

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Flashbacks in literature – how to make them effective

There are many examples of flashback in literature. Some are skillfully pulled off. Some others totter on the brink of disaster, but manage to lead the reader back to the story before all is lost. Finally, some other flashbacks are like a knife in the hands of a butcher: they slaughter the story and leave it agonizing, bleeding to death. This doesn’t necessarily mean that writing a strong and effective flashback is a herculean feat. In fact, this could merely mean that flashbacks tend to be overlooked by authors. Because they are considered “easy stuff”. From a purely technical point…

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Use writing hooks to create terrific opening lines for your novel

The opening lines of your novel are of critical importance. In fact, it’s by reading them that readers decide whether to give your novel a shot or go instead looking for something else. Of course, a book shouldn’t be judged solely by its first few lines—and the same can be said about the cover, the title, and so on. But these days considering the amount of books that readers can choose from, and the hectic times in which we live, it’s normal for people to come up with shortcuts to try and find the brightest diamonds among the deluge–even if this…

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6 easy tips on how to use the exclamation point in creative writing

It’s extremely easy to use the exclamation point. In fact, you should never use such a banal device to draw the attention of your readers to what you’re writing! Never!! Not even in non fiction!!! Or rather, especially not in non fiction!!!! Well, if the exclamation point has to be used so sparingly as to appear no more than a few times every 100.000 words, then, you might think, it would be better to discard it altogether. But there’s always a but. Especially in the realm of rules about grammar and language. In fact, writers love giving advice about writing–after…

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The unreliable narrator: definition and uses in literature

Literature offers writers and readers alike the opportunity to experiment with things that in real life usually lead to a series of unpleasant consequences. No, I’m not speaking of explosives wired to fast-ticking timers, of psychopaths on a killing spree, or of alien hordes devastating our already half devastated world–not necessarily at least. What I’m speaking of here has to do with the well known literary trope of the narrator, or rather, the unreliable narrator. This might look like a literary device of secondary importance, especially considering the gazillion super explosive things that authors can cook up in a book. However, the…

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Stylistic devices – how to end a story

We humans are a bit strange, to say nothing of the dog… Sorry, sometimes I mix what I’m reading — Three Men in a Boat (To Say Nothing of the Dog) — with what I’m writing, or should be writing. Anyway, I was saying we’re strange. For example, we tend to give a lot of importance to the way things end. I mean, if we go on a vacation for a fortnight and then the last day it rains, we’re bound to feel a bit cheated and depressed. Instead, if it rains the first day of our vacation it rarely…

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